Film Festivals
Film Inquiry chatted with Dinner in America’s director Adam Rehmeier about Mac Demarco, a good mixtape, and finding the right lead actors.
In our latest report from the Sheffield Doc/Fest 2020, Musanna Ahmed looks at Please Hold the Line and The Viewing Booth.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.
Alex Lines reports from MIFF 2020 with three films: Last and First Men, Anne at 13,000 FT, and Dark City Beneath the Beat.
As one of two films representing Iran in the 77th Venice Film Festival, Ahmad Bahrami’s The Wasteland wrestles with themes of class and race.
Opening the historic 77th edition of the Venice Film Festival, Andrea Segre’s Molecole is a haunting meditation on virus-lockdown Venice.
Sean Fallon brings us some of the highlights from the Melbourne International Film Festival.
Heightened by its mirroring of current events, The Hall is an incredibly exhilarating ride you won’t want to get off of.
Wilson Kwong had the chance to speak with director Bao Tran about his latest film The Paper Tigers and his unique journey as an independent filmmaker.
All things considered, A Mermaid in Paris is simply a joyful exploration of being a believer, in whatever context you choose to sew that thought into.
Alex Lines spoke with director David Osit abut his documentary Mayor, his approach to shooting the city of Ramallah and more!
Alex Lines had the opportunity to interview TT the Artist, the director of musical documentary Dark City Beneath the Beat.
Yankee won’t be a film that pleases everyone, but its flaws don’t necessarily tarnish what is an otherwise solid effort from a budding filmmaker.
Wilson Kwong spoke with director Alex Prieur-Grenier about his film 2011, premiering at Fantasia Film Festival 2020.
Class Action Park explores the dark side of childhood as it covers the legend and legacy of the infamous Action Park.