Film Festivals
In his first report from the 2020 San Diego Asian Film Festival, Soham Gadre reports on the films he had the chance to see!
With two perfectly cast roles in Colin Firth and Stanley Tucci, Supernova lovingly ponders on the preciousness of memory and time.
With both leads shining bright, Cicada is altered, and elevated, by an undercurrent of trauma that haunts its central pair.
Vinterberg’s film goes to higher highs and lower lows than expected, proving both heart-achingly sad and outrageously joyous.
Any way you choose to interpret it, Nomadland flourishes under the direction of Zhao, and bolstered by a brilliant performance from McDormand.
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
What Do You Have to Loose takes a deep look into how the results of the 2016 election came to be from the view point of racial discrimination.
Jennifer Sheridan talks to Film Inquiry about directing her scriptwriter, working in the snow, and designing a vampire.
Stephanie Archer shares her comedy shorts coverage, with four reviews from the Ridgefield International Film Festival.
Psych Night returns bringing horrors and frights through the short film medium – many of which you will find yourself craving to watch again and again.
While it boasts gorgeous cinematography and framing, American Thief fails to find cohesion in its message and in its narrative.
Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
The passion of McQueen and his artistic collaborators for telling these stories shines through in every frame.
In the face of hate, Gay Chorus Deep South is a shining beacon of love and an exemplary display of resilience and strength.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.