Film Festivals
It’s truly difficult to qualify the beast of an experience that is Megalopolis, and because of that, there’s an undefinable elegance.
At Canne’s 2024, Film Inquiry reviews Quentin Dupieux’s The Second Act (Le Deuxieme Acte), and Rungano Nyoni’s On Becoming a Guinea Fowl.
Furiosa: A Mad Max Saga, is a prime example of how to craft a narrative expansion that ignites a creative spark worthy of praise.
Soham Gadre takes a look at the Museum of the Moving Image’s “First Look” Series!
In this SXSW report, we take a look at two female-driven titles: An Army of Women and We Were Dangerous.
A skill that speaks to a seasoned directing team, but as a debut feature Birdeater tests and tortures, and doesn’t waver.
Three of the biggest headliners this year’s SXSW Film Festival are action movies, featuring some of the craziest fist fights seeen on the big screen.
Desert Road is what indie cinema should be. It’s ambitious, beautifully shot, and entertaining in all the right ways.
My Sextortion Diary, the hour-long documentary that arose from Franquesa’s harrowing experience with digital blackmail.
This thriller is confidently executed enough to swing for the fences with metaphysical lore that’s either complex enough to unpack with friends.
Admirably, Sew Torn remains winningly earnest in its treatment, aiming for Edgar Wright’s shaggy dogs over Nolan’s smooth criminals.
Origin is an incredible, and powerful, insight into a theory of human behaviour that is both fascinating and troubling.
Like any really good yarn, Secret Mall Apartment has one truly weird story to tell you.
Film Inquiry spoke with Karl R. Hearne and Dale Dickey for the G.
Jericho Ridge is indeed a B-movie take on Assault on Precinct 13, coupled with plenty of Carpenter style flourishes which show Gilbey did his homework.