Film Festivals
Beautifully filmed, Coast is a film you will find just coasting through the motions.
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
In its entirety, Mogul Mowgli is a cinematic experience that will resonate with the heart and enlighten the mind.
Haunting, strange, and engrossing, What Josiah Saw works in perpetuating perceivable dread.
The film flounders in its overly long crawl but makes up for it in a repulsive final twist.
New York Asian Film Festival 2021 Part One: ESCAPE FROM MOGADISHU, NINJA GIRL and BARBARIAN INVASION
In her first report from the New York Asian Film Festival, Lee Jutton reviews Escape from Mogadishu, Ninja Girl and Barbarian Invasion.
Externo is a definite recommendation for those searching for something out of the ordinary in terms of storytelling and high concept.
In her final report, Kristy Strouse reviews Werewolves Within, The Kids, No Future & Ultrasound.
In the Heights follows a small corner of individuals as they face gentrification, immigration, and acceptance of self during the summer’s hottest days.
Film Inquiry spoke with star Charlie Heaton and writers/directors Andrew Irvine and Mark Smoot for No Future.
Kristy Strouse gives us her first Tribeca Film Festival report with three films: No Man of God, Shapeless and Mark, Mary & Some Other People.
In Pray Away, viewers are led into the minds of those who founded, lead, and propagated one of the biggest conversion therapy developers.
While Accepted examines the rise and fall of TM Landry, it’s also a multilayered look of the environment children are thrust into.
Referencing and reminiscent of horror films that have come before, See for Me does not live up to its inspirations.
Musanna Ahmed takes a look at four films in our first installment of coverage at Denmark’s 2021 CPH:DOX Film Festival.