Film Festivals
Jonas Poher Rasmussen’s Flee uses animation as a form of therapy for both its central subject and the audience.
Titane spins elements of body horror and science-fiction into a beautiful tale of love and identity, grounded in true human emotion.
With The Humans, director Stephen Karam uses cinematic space and language to transform his play into one remarkable film.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Kristy Strouse gives us her final report from this year’s Toronto International Film Festival with her last four film reviews.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.
Listening to Kenny G is an examination of what art is or should be, and details it through the lens of an artist who is not given the credit he deserves.
Kristy Strouse shares her third report from the 2021 Toronto International Film Festival with reviews for The Mad Women’s Ball, Out of Sync & I’m Your Man.
With Kristy Strouse’s next report she covers Silent Land, Encounter and Dug Dug!
Denis Villeneuve brings Frank Herbert’s Dune – the best-selling science fiction novel of all time – to the silver screen.
In the latest report from TIFF 2021, Wilson Kwong reviews the unique biopics films Spencer and The Eyes of Tammy Faye.
Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.
In the latest report from TIFF 2021, Wilson Kwong looks at solid examples of creative storytelling with All My Puny Sorrows and Kicking Blood.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
Film Inquiry spoke with director Jean Luc Herbulot for his film Saloum, premiering at the 2021 edition of the Toronto Film Festival.