Film Festivals
Del Kathryn Barton’s Blaze brings intense drama to the 2022 Tribeca Film Festival, as a young girl named Blaze deals with immense trauma.
Cannes Film Festival 2022: Alice Winocour’s PARIS MEMORIES is a Mature Study of Violence and Healing
Paris Memories was the final film I saw at the fest and in its quiet, assured way, was one of the most satisfying.
Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
In her final report from the 48th Annual Seattle International Film Festival, Bailey Jo Josie shines a lot on documentaries.
The 48th Seattle International Film Festival continues, rain or shine, and for Film Inquiry’s second…
Join Bailey Jo Josie for her first report straight from the 48th Seattle International Film Festival with River and Spin Me Round.
The early Sundance praise is real. Fire of Love oozes passion and love from start to finish.
The Sacred Spirit hooks you with its moody, deceptively elusive presentation brilliantly structured with a tactful eye for detail.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
I Love My Dad is saddled with a competent, well-intentioned film that works better when being discussed than being watched.
SXSW is now officially wrapped! Here in Kristy Strouse’s final report, we take a look at The Man Who Fell to Earth and two short films!
In my fourth report from SXSW Film Festival 2022 I discuss the romance Stay the Night and horror Bitch Ass.
For her third report from the 2022 SXSW Film Festival, Kristy Strouse covers Spin Me Round, The Prank, and The Cow!