Film Festivals
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!
The online Femme Filmmakers Festival 2022, run by Filmotomy, drew to a close this October, concluding its seventh year.
While it might lose its way at times, ultimately, The Whale is a fascinating story anchored by an incredible performance from Brendan Fraser.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
All the Beauty and the Bloodshed is one of the most moving and vulnerable documentaries I have had the opportunity to see.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
It speaks volumes when a filmmaker can reach its audience, inspiring them to speak out more, and Is That Black Enough For You?!? does just that.
This dispatch features two great films involving passionate love affairs — but, apart from that, they could not be more radically different.
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
Paul Schrader is a master storyteller, but with Master Gardener, even masters are capable of misfires.
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
From NYFF, Lee Jutton reviews A Couple and Showing Up, the latest films from Frederick Wiseman and Kelly Reichardt.
From pensive and meditative to egotistically powerful, Todd Field’s Tár is a film for the senses.