Features

Hanna Polak is a documentarian whose films have been screened the world over. It only took her two directorial efforts for her to be recognized by the Academy, as her memorable film Children of Leningradsky was nominated for Best Documentary Short in 2005. After spending some time as a director for hire, Polak is returning to the international documentary scene with an absolutely remarkable film over 14 years in the making, Something Better To Come (you can read my review here).

One of the internet’s favorite pastimes is letting people know why the things they love are actually terrible. It can be frustrating sometimes, being the only one in the world to know the true value of a film when it seems like the whole world has had the wool pulled over their eyes. In this edition of Staff Inquiry, the FI team joins in on the fun as we get our full troll on.

My home city of Nottingham recently hosted its first International Microfilm Festival, and through my day job, I was involved with one of the winning shorts from the documentary category. To be honest, before the festival, I hadn’t really heard of microfilm, so I was definitely curious to find out more. In this article, I’ll explore what microfilm is, and what makes them different to short films.

The revolution is here— We are in the midst of a global revolution for female empowerment and equality. This movement has been building for some years, and the new efforts for women directors have added great momentum to the cause. The campaign and ongoing support for women directors starting 2013 by the ACLU has now led to an industry-wide investigation.

I can’t think of any other couple that exemplified the pure nature of an old Hollywood romance other than Humphrey Bogart and Lauren Bacall. If you take a quick glimpse at their history together, the love they shared was palpable. Bacall was only nineteen when they met (twenty when they married), and Bogart was old enough to be her father.

November has reared its head, and that means it’s starting to get seriously cold (or seriously hot, depending on where you are) outside. We hope everyone enjoyed Halloween – did you watch anything good to celebrate it, and who did you dress up as, if you did? October was a great month for Film Inquiry, we published nearly 70 great articles, and we announced that Maria Giese is joining us to keep the world up to date on the unfolding EEOC investigation, and report on Hollywood’s response to the action.

Dalton Trumbo is not a household name today, but he was one of the most influential screenwriters in the old Hollywood studio system. Many of his films like Roman Holiday and Spartacus are beloved classics, but Trumbo is also a significant figure for his part in the Hollywood blacklist, a period of anti-Communist hysteria that swept through the United States in the 1940’s and 1950’s. Trumbo, like many Hollywood intellectuals, was targeted for his progressive politics in an unprecedented purge that saw many actors, directors and writers, lose their livelihoods, their freedom and even their lives.

Over the course of history, Hollywood has given female filmmakers few chances to work on film projects. Fewer chances than their male cohorts, to be sure – no matter their experience or education. Male directors are hired invariably and without doubt, and they are featured and lauded in media frequently.