Features
Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
To celebrate the end of a great cinematic year, our writers have compiled their top ten lists of the films of 2021.
With Black Christmas’ blend of sadism, camp and scantily clad women, the film finds the pulse of the American slasher.
Emily Wheeler takes a deeper look at the quality of the editing used in the popular CBS reality show, Survivor, which just finished its 41st season.
This year, over a dozen films, sidestepped color in favor of black and white and many are vying for major awards this season.
A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.
For this Away from the Hype Sean Fallon takes a look at The Matrix Sequels. How do they hold up?
While the purpose of What If? may be to prime the fanbase for multiverse madness, its secondary function is one of image and branding.
Renny Harlin is one of cinema’s great workhorses — a constantly dependable, and occasionally remarkable carpenter of sturdy entertainment.
Bright and peppy, The Wachowski’s Speed Racer is a bonafide live-action cartoon and well worth a second look.
Don Palathara is an astute observer of our species. From his first feature film, he has been placing the varying hues of human nature before us.
The path to democratization is a long one, but film festivals are the independent, flexible, and creative spaces to accomplish the democratization we seek.
While not without its controversy, Pier Paolo Pasolini’s Salo, or the 120 Days of Sodom remains a ferocious work of art.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
The chemistry between Bogart and Bacall and Howard Hawks’ storytelling have turned The Big Sleep into a lasting classic.