Features
How does the 1997 Oscar-winning Titanic hold up away from the hype? Let’s find out!
Whatever story Bay tackles next, we should not anticipate certain thematics because, after Ambulance, there seems to be a humanist and caring side to him.
A breakdown of Roar, or “the most dangerous film ever made”, where half of the cast and crew suffered injuries from the film’s big cats.
Good editing or not, Corwin’s impressive, ambitious work in Don’t Look Up is at least highly expressionistic and motivated.
The tools for articulating Asian cultures and histories are being kept out of the hands of Asian and Asian-American composers, and that needs to change.
Waterworld is not perfect, it’s not as well-crafted and clever as the Mad Max franchise it’s clearly based on, but it is a great time.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
A look into the current state of Hungary’s filmmaking and cinematography societies and their connections to politics and institutions.
Following in the footsteps of a long line of road movies, Queen & Slim takes the genre in a new direction, adding its own original flavour.
To celebrate the end of a great cinematic year, our writers have compiled their top ten lists of the films of 2021.
With Black Christmas’ blend of sadism, camp and scantily clad women, the film finds the pulse of the American slasher.
Emily Wheeler takes a deeper look at the quality of the editing used in the popular CBS reality show, Survivor, which just finished its 41st season.
This year, over a dozen films, sidestepped color in favor of black and white and many are vying for major awards this season.
A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.
For this Away from the Hype Sean Fallon takes a look at The Matrix Sequels. How do they hold up?