Features
Cinefemme gathered another group of inspiring female filmmakers, writers and content creators for the fifth iteration of Dinner With Dames, to dine with Morgan Long of Requiem Entertainment, and casually discuss film industry issues facing women.
Phil Drinkwater & Tim Woodall tell about how what went into making their BFI-backed psychological horror film Broadcast Signal Intrusion.
In the latest of our cinematic advertisements series, we focus on movie posters and how they may have reached their peak in modern times.
Cairo Time is a romantic drama from 2009 set in Egypt that focuses on different women and their perception about relationships and life.
2016 saw a burst of right-wing ideology in mainstream and indie cinema, which, scarily enough, seemed to foreshadow the rise of Donald Trump.
2016 was a great year for film. Our Film Inquiry writers submitted their top ten lists, along with their pick for best film of the year.
With masterful performances and finely tuned direction, A Streetcar Named Desire is one of the great adaptations of a play in cinema history.
2016. A year that will live in infamy. A year shaken by unexpected celebrity deaths, an unnerving election cycle, and unsuspecting twists waiting around every corner.
Jay Ledbetter & Mike Daringer are hosting the all new Film Inquiry podcast! In this first episode they discuss (and argue over) the best films of 2016.
Film Inquiry has joined Seed&Spark in their mission to make the film industry more inclusive with their #100DaysOfDiversity initiative. Join us!
Riefenstahl’s portrayal of the 1934 Nazi Party Congress in Nuremberg, Triumph of the Will exemplifies propaganda filmmaking. It is vital to watch Leni Riefenstahl’s work for the Nazis to be reminded of the power of filmmakers, especially in these uncertain days.
In this video for the Film Inquiry Youtube channel, Editor in Chief Manon de Reeper discusses how she wrote the first draft of her screenplay in just one month.
Maria Giese updates us about the Federal EEOC investigation into discrimination against women directors in Hollywood.
Star Trek: The Motion Picture is a flawed yet misunderstood film, imbuing some of the best that the franchise has ever had to offer.