Features
The latest Staff Inquiry is about our favorite opening credits, and how they manage to set the style and tone for the film that follows.
Filmmaker and actor Brendan Bradley discusses the increasing role that social media is having on creativity and the power of filmmaking.
With the rise of streaming services like Netflix getting in to the movie business, will cinemas be able to survive the competition?
Since its creation, the Jacob Burns Film Center has curated timely, poignant series aimed to enlighten and uplift its audiences. The theater, located in Westchester County, NY, is always one step ahead of the curve. Coming up this month is another exciting exhibit, entitled Greenhouse.
Join us in our challenge to watch only female-directed films for an entire week, and find out how hard that actually is.
Reservoir Dogs, though seemingly a time capsule due to having premiered 25 years ago, is actually quite potent in today’s post-truth world.
It’s become the norm to watch bad movies to make fun of bad movies, but why don’t watch them just because they’re a ton of fun?
Like all Godzilla films, Shin Godzilla criticises how governments respond to disasters – but in this film, it’s not nuclear, but natural disaster.
Gene Fallaize, director of horror feature ‘Cain Hill’ gives us some insight on what post-production typically looks like for a film!
Logan serves up the classic Western anti-hero in the realm of a dystopia, spinning the myth around while also keeping its machismo intact.
Not only the birth of star Jennifer Lawrence, Winter’s Bone is also a gritty, eagerly grim look at small-town, poverty-stricken America.
Ben Wheatley’s new film FREE FIRE is out today and we spoke with him about the film, his filmography, and the extreme violence in his films.
For Dinner With Dames #7 Cinefemme gathered a group of female filmmakers to dine with Zoë Bell, actor, stuntperson and director.
Exploring the role of animated sequels such as Toy Story and Trolls as either worthwhile tales or money making schemes.
Casey Neistat is raising the bar of YouTube filmmaking, leading a new generation of creators that are democratizing the process of filmmaking.