Features
We had a chance to talk with Emily Keating, the Director of Education for Created Equal, a civil rights and film program for kids in Brooklyn.
With the festival entering its final day, and my screenings complete, I thought my time…
Sofia Coppola’s The Virgin Suicides is a film about five sisters that is often dismal and dark, yet it also conveys powerful feminist themes.
We celebrate Donnie Darko’s 15th anniversary by reconsidering some of its themes, which are simpler than the movie makes it seem.
Barry Jenkins’ work before Moonlight is freely available on his Vimeo account, and we’re taking a deep dive into his terrific work.
For Dinner With Dames #8 Cinefemme gathered a group of female filmmakers to dine with Paul Feig, writer/director of Ghostbusters and Spy.
The comic book movie has become the biggest targets for criticism, but some of them still remain artful. We compare six superhero films.
In the first of a series for 2017, we take a run-down through the box office potential of several high-profile summer movies.
In this new series, Robb Sheppard looks back on films he hated in the past to give them a second chance. In the first episode: Fincher’s ZODIAC.
In this edition of the nominated film you may have missed series, we discuss the classic 1961 sports drama The Hustler, starring Paul Newman.
Film Inquiry writer Alistair Ryder sat down and talked with Woody Harrelson about his live one-shot directorial debut, Lost in London.
Candice Onyeama discusses the importance of her short film Hush to for herself, and about identity and those suffering from mental health.
In this analysis of 2007 film Lars And The Real Girl, we talk about how Lars’s delusions are very similar to how we find catharsis in film.
The Fifth Element 20 years later: it’s still the packed with resplendent imagery, inventive art direction, and some well edited set pieces.
In our latest interview, we talk with director Michael McQuown, whose latest work is the anthology horror film The Dark Tapes.