Features
Alistair Ryder attended Sundance London and saw Icarus, Marjorie Prime and A Ghost Story and shares his thoughts!
Nathan Osborne discusses the benefits and theories surrounding his support for Disney’s stand on piracy and hackers.
Film Inquiry writer Alistair Ryder shares his experiences of his first day at Sundance London, and the four films he was able to see.
Lately, studios have made a lot of fuss about the supposedly “openly gay” characters in their films. This article is on why queer-coding is harmful.
In the next of our Take Two series, we tackle Cameron Crowe’s Vanilla Sky, which may not be quite as remarkable as initially remembered.
Joan Crawford & Bette Davis’ feud is one of classic Hollywood legend; we look at What Ever Happened To Baby Jane and how they became rivals.
Michelle Sabato, an Italian American herself, takes a closer look at The Godfather, and what “family” means to Italian Americans.
Not all remakes are created equally. While many can be terrible some can excel. Here Zac Hestand presents the six levels of remake hell.
The Film Inquiry team discusses their favorite film adaptations, whether they’reb ased on books, comics, plays or short stories! Share your favorite adaptations in the comments.
At the Alamo Drafthouse screening of Logan Noir, James Mangold, Hugh Jackman & Hutch Parker discussed the special edition of the film.
We spoke with filmmakers Peter Stray, Craig Russell and Mark Price about their latest project, the very low budget sci-fi thriller CANARIES.
Andrei Tarkovsky’s Stalker is ripe with philosophical connotations; here, we discuss some of the film’s more prominent ideas.
Sophia Cowley spoke with Sean Murphy, co-director of the Ridgefield Independent Film Festival in Ridgefield, Connecticut.
In Out of the Past (1947), we get to witness Kathie Moffatt’s moral degeneration and final morphing into the femme fatale of the story.
Rushmore is a film that employs screwball comedy conventions, helping to create an interesting combination of genres.