Features
Michelle Sabato, an Italian American herself, takes a closer look at The Godfather, and what “family” means to Italian Americans.
Not all remakes are created equally. While many can be terrible some can excel. Here Zac Hestand presents the six levels of remake hell.
The Film Inquiry team discusses their favorite film adaptations, whether they’reb ased on books, comics, plays or short stories! Share your favorite adaptations in the comments.
At the Alamo Drafthouse screening of Logan Noir, James Mangold, Hugh Jackman & Hutch Parker discussed the special edition of the film.
We spoke with filmmakers Peter Stray, Craig Russell and Mark Price about their latest project, the very low budget sci-fi thriller CANARIES.
Andrei Tarkovsky’s Stalker is ripe with philosophical connotations; here, we discuss some of the film’s more prominent ideas.
Sophia Cowley spoke with Sean Murphy, co-director of the Ridgefield Independent Film Festival in Ridgefield, Connecticut.
In Out of the Past (1947), we get to witness Kathie Moffatt’s moral degeneration and final morphing into the femme fatale of the story.
Rushmore is a film that employs screwball comedy conventions, helping to create an interesting combination of genres.
We spoke with Sarah Moshman about her latest documentary, Losing Sight of Shore, which is now available on Netflix.
Although before production considered “too lurid and disgusting”, The Silence of the Lambs is still highly influential to this day. Here are ten reasons why.
The Before Trilogy combines the films from Richard Linklater that inspired an entire generation of filmmakers in the decades that followed.
Choosing nostalgia over creativity, we explore the successes and pitfalls of Disney and their continuing trend of live-action remakes.
Film to some is much more than a hobby, but a lifestyle. Sometimes it can…
Film Inquiry writer Arlin Golden had a chance to talk with Rod Armstrong, a programmer of the San Francisco International Film Festival.