Features
mother!, Darren Aranofsky’s polarizing film, is doing poorly at the box office – just what does that mean for the future of studios?
For Dinner With Dames #10, Cinefemme gathered a group of women filmmakers to dine with Byron Willinger, writer of The Commuter.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Not all recycled ideas are created equally – many can be terrible, while some can excel. Here Zac Hestand presents the six levels of Rip-offs.
We talked with Jacob Burns Film Center programmer Lina Matta, who discusses the latest line-up for their Contemporary Arab Cinema series.
Arlin Golden spoke with THE FORCE director Peter Nicks about Oakland Police Department, and everything that’s wrong and right with American police.
Portraying a real figure is often considered easier than acting as a fictional character, but these examples prove that’s a misconception.
In our latest entry of The Nominated Film You May Have Missed series, we discuss the 1998 War drama Saving Private Ryan.
While much of Wonder Woman was a success, the last ten minutes of the film became a lost opportunity for stronger and deeper meaning.
Taking direct inspiration from the Coen brothers’ films, Noah Hawley’s Fargo is an exemplary summation of their absurdist philosophy.
In our latest collaboration, we discuss cinematic worlds we want to live in, ranging from John Ford’s Westerns to Jacques Demy’s musicals.
We were able to talk to Brendan Muldowney, director of the Irish medieval film Pilgrimage, starring Tom Holland.
We were able to sit down and talk with Francis Lee, director of the acclaimed upcoming British drama God’s Own Country.
Evan Mascagni is a former lawyer with a passion for righting the wrongs in the food industry. He talked to FI about his latest documentary.
The real power of scores is the intensity of feeling, the nostalgia of remembering, and (above all) the way it cements a film’s legacy.