Features
Alex Arabian spoke with Paul Haggis, writer of Oscar winning films such as Crash and Million Dollar Baby, and honoree of EMIFF.
Premiering back in 2004, Saw is a landmark horror film, launching a multitude of sequels in addition to an entire sub-genre of horror.
We look back at House of 1000 Corpses, Rob Zombie’s brutal directorial debut that has since become a cult film in the horror world.
Hollywood is not the only city to leave a lasting mark on the world of…
We analyze some of the interpretations of Twin Peaks: The Return, the dreamlike sequel series to David Lynch’s early ’90s TV show.
Nostalgia is fine when it comes to the entertainment we love, but it can also have unseen dangers, especially in our current digital age.
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Premiering back in 1984, Buckaroo Banzai has long been a prized cult classic, though perhaps one that is lesser-known in the wider world.
Alex Arabian spoke with Tom Hughes about new film REALIVE, his excitement about the film, and his desire to keep finding challenging roles.
Our latest Staff Inquiry deals with our favorite years in cinema, and our picks ranged from classic Hollywood to more modern day.
The John Wick films pose challenging questions about the nature of violence and the type of men who are attracted to its endless cycle.
In the latest of our Take Two series, we tackle Requiem for a Dream, the drug-fueled nightmare that launched Darren Aronofsky into stardom.
Alex Arabian attended a private screening and Q&A of Stronger. This is the video and transcription of the interesting talk with Jake Gyllenhaal.
Abishek Bajaj, director of M.I.A. A Greater Evil, shares his stories of shooting in the Thai jungle, which included unexpected visits of snakes, elephants and more.
Writer Arlin Golden sat down and talked with Neasa Ni Chianáin, director of the upcoming Irish documentary School Life.