Features
With Blade Runner 2049 opening in cinemas this Friday, we ruminate on the themes of existentialism the trailer and short film have promised.
Premiering back in 1984, Buckaroo Banzai has long been a prized cult classic, though perhaps one that is lesser-known in the wider world.
Alex Arabian spoke with Tom Hughes about new film REALIVE, his excitement about the film, and his desire to keep finding challenging roles.
Our latest Staff Inquiry deals with our favorite years in cinema, and our picks ranged from classic Hollywood to more modern day.
The John Wick films pose challenging questions about the nature of violence and the type of men who are attracted to its endless cycle.
In the latest of our Take Two series, we tackle Requiem for a Dream, the drug-fueled nightmare that launched Darren Aronofsky into stardom.
Alex Arabian attended a private screening and Q&A of Stronger. This is the video and transcription of the interesting talk with Jake Gyllenhaal.
Abishek Bajaj, director of M.I.A. A Greater Evil, shares his stories of shooting in the Thai jungle, which included unexpected visits of snakes, elephants and more.
Writer Arlin Golden sat down and talked with Neasa Ni Chianáin, director of the upcoming Irish documentary School Life.
mother!, Darren Aranofsky’s polarizing film, is doing poorly at the box office – just what does that mean for the future of studios?
For Dinner With Dames #10, Cinefemme gathered a group of women filmmakers to dine with Byron Willinger, writer of The Commuter.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Not all recycled ideas are created equally – many can be terrible, while some can excel. Here Zac Hestand presents the six levels of Rip-offs.
We talked with Jacob Burns Film Center programmer Lina Matta, who discusses the latest line-up for their Contemporary Arab Cinema series.
Arlin Golden spoke with THE FORCE director Peter Nicks about Oakland Police Department, and everything that’s wrong and right with American police.