Features
We had a chance to speak with Sam Keeley, star of the upcoming horror film The Cured. We spoke about his career, his influences, working with Ellen Page and David Freyne, and what project he’s excited about in the future.
With an intricate and complicated plot but also delving deep into themes of identity and self, Shane Carruth’s Primer is the quintessential modern time travel film.
“[It] should be the norm that we’re just casting across the board all kinds of different people, because that’s how our world looks” – we spoke with the insightful and delightful Stephanie Beatriz, who stars in Heather Graham’s HALF MAGIC.
With all its success over the year and its deep political, racial and socio-economical undertones, and Oscars just around the corner, it seemed an appropriate time to dive back into the horror that is Get Out.
We were able to talk with Neville Pierce, film journalist turned filmmaker, director of the short films Lock In, Ghosted, and Bricks.
We look back to the 2006 Academy Awards when Brokeback Mountain, a groundbreaking film about two homosexual cowboys, was snubbed for Best Picture in potentially the most controversial decision in Oscar history.
From box office cash-ins to long gestating labors of love, there are several different types of sequels. Zac Hestand explores which formulas make sequels worth the wait- and which leave you wishing the story would be over and done with.
Awards season is all above glitz, glamour and small statues. This year, the folks at…
Still/Born is able to successfully convey its material in large part due to the powerful performance of Christie Burke. We were able to speak with Brandon Christensen, director of the horror film Still/Born, which premiered on February 8th!
We were able to talk with James Fanizza; writer, director, producer and star of the film Sebastian, now available to rent and buy digitally and on DVD.
Have critics been too easy on Phantom Thread? Emily Wheeler examines how the tenets of auteur theory may be causing some viewers to overlook the film’s underdeveloped women and generic clumsiness.
We were able to talk with the great actress Rebecca Hall, star of the upcoming film Permission, which she also helped produce.
Guest author Judy Sandra advises on how to turn a book into a screenplay after having gone through the process of creating a screenplay adaptation of her own novel that she will direct herself.
While over looked and low-browed by critics when first released, Sean Fallon takes a look at why Starship Troopers is a trenchant, satirical commentary on fascism, the military-industrial complex, and our love of violence, masquerading as a dumb actioner.
Juan Barquin and Trae DeLellis, curators of the drag film series FLAMING CLASSICS, reside in Miami, where they’ve witnessed a renaissance in their city’s arts and LGBTQ scene.