Features
We spoke with Kelly Macdonald about her newest film, Puzzle, the many intriguing different characters she’s played in the past, and her approach to acting.
The anthology format for TV is often the perfect forum to spread ideals about morality; here are a few shows that utilize this to the fullest.
The 2014 controversial political comedy The Interview had a lot of hype surrounding it: how has it held up?
Don’t blink. Seeing Doctor Who’s Weeping Angels petrifies them into statue form in a process referred to as quantum locking. How believable is this?
Alex Lines attended Revelation Perth International Film Festival 2018, reporting on the films he was able to see there, among them Ghost Stories and Our New President.
Midnight in Paris uses time travel to 1920’s Paris to deal with themes of nostalgia and the fallacy of Golden Age thinking.
Quentin Tarantino has become synonymous with his ability to portray villains as cool, ostensibly relatable people that you want to cheer for; here’s why that is problematic.
For Dinner With Dames #16, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, Peter Van Steemburg, Vice President of Acquisitions and Production at Universal Pictures
Willow Polson, creator of Vintage America with Ginger, talks to FI’s Jacqui Blue about her creative process and upcoming projects.
We were able to talk to Matthew Ross, writer and director of the upcoming crime thriller Siberia about his brief but prolific filmmaking career, working with Keanu Reeves, and more.
In this part of the Fantasy Science column, we’re diving into the scientific underpinnings of Ant-Man’s power: resizing and going “subatomic”.
For this Staff Inquiry, the Film Inquiry team lists their favorite guilty pleasures; films that aren’t great (or even terrible) can be oh so enjoyable.
We spoke with Tim Wardle, director of the great documentary Three Identical Strangers, about the psychology of the film, its subjects, and more!
The Sadist is a 1963 exploitation picture that lives in relative obscurity – but its technical ingenuity is begging to be rediscovered.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.