Features
This month’s Staff Inquiry is all about our most beloved examples of film noir, picking from the classic era of the ’40s and ’50s.
In the 16th part of Fantasy Science, we are going to look at how the extendable ears from Harry Potter might work in the muggle world. Let’s begin.
Transit finds Christian Petzold on the same end of the telescope as his previous films, but looking through a more sophisticated, evolved tool with a wider view of the medium.
Before the shut down of Film Struck at the end of this month, here are some of the films you need to check out before they are gone for good.
As a follow-up to our previous recommendations on underrated 1940s noir for Noirvember, we jump a decade later, to the 1950s.
In celebration of Noirvember, we present to you a list of 15 underrated classic noirs from the 1940s.
Electromagnetism. Force. EMF. Have you heard terms like these flying around in sci-fi? Have you wondered how accurately films & TV portray real science?
Most romantic comedies follow a definitive structure; here we break down the steps that are usually involved to make the film successful.
American Horror Story has referenced previous seasons throughout the show but has scarcely included “Murder House”, this year calling forth old ghosts, cutting open their retelling of Rosemary’s Baby in 2018 and considering what else is to be said.
In this article on film and philosphy, Lance Conley looks at the pessimistic philosphy embedded within raunchy animated comedy Sausage Party.
The horror of the unknown, the horror of David, the horror of The Guest, all trace back to the simple question the film asks us and then leaves to fester: “Who is David Collins?”
The Changeling has built up a devoted club of admirers and its influence on films such as The Ring and Annabelle have seen it reclaimed by many as the grandfather of the Conjuring Universe.
Some scenes have a lasting impact – the Film Inquiry team dredges up some of the most gruesome and horrifying scenes that they couldn’t ever forget.
Film Inquiry’s Tessa Bahoosh writes about one of her favourite films, The Blair Witch Project, and how its existential dread still resonates today.