Features
Two decades later, and Wild Wild West is still a Wild Wild Mess – but nowhere near the disaster you may remember.
Michael Dougherty’s films sneakily inject themes of religion in the horror narrative. Danny Anderson takes a look at how two of his films subvert Christianity.
We tap into fond memories of summer and feel-good vibes to come up with a list of some of the best summertime films of all time.
With The Criterion Channel, no matter what size screen you watch these classics on, the pictures are never small.
While it may sound nonsensical, Andrew Emerson discusses why The Last Black Man in San Francisco shares important similarities with musicals.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.
LGBTQ+ fans want good stories about queer people, not the cop-out nonsense of Pitch Perfect 3 or wishy-washy garbage like Pitch Perfect and Pitch Perfect 2.
Whilst some of the standard-bearers for this era invite us to far-flung worlds, FX’s Pose takes us just 30 years into the past to discover New York’s ballroom scene.
In his second installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal looks back at the two faces of fascism within Hot Fuzz.
“Where should we go after the last frontiers? Where should the birds fly after the…
Horror classics When A Stranger Calls (1979) and When A Stranger Calls Back (1993) are being re-released on BluRay. Alex Lines takes a look.
Much as Pitch Perfect treated Cynthia as someone to laugh at, Pitch Perfect 2 uses Chloe’s bisexual leanings to distance her from the audience.
In his first installment examining Edgar Wright’s “Cornetto Trilogy”, Faisal looks back at the chaos and conformity within Shaun of the Dead.