Features
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
Just like Charlie Chaplin, Cosmo Kramer is seeing another kind of creature, one created through the absurd, interacting with the world, and seeing the out-of-control, spiralling outcomes.
For a movie that supposedly criticizes what it portrays and updates the film noir for 2019 and , Under the Silver Lake comes up embarrassingly short.
Rahul Patel reviews the 2019 Emmys ceremony, considering the highlights and surprises of the night.
In the August round-up of new Bollywood films, Musanna Ahmed takes a look at Mission Mangal, Batla House and Saaho.
Cinema allows us to immortalise people and events, capture change and examine the nature of time. Liam Beazley explores how time is explored in film.
Boys Don’t Cry celebrates its 20th anniversary this year. Emily Wheeler examines its difficult past and troubling legacy
Despite the overt silliness of I Was A Teenage Werewolf, it might give us a useful way to think about the cultural impact of one Dr. Jordan Peterson.
Why Veep’s ending was hailed as a triumph, Game of Thrones’ ending was derided can be attributed to how deserving the characters were of the endings they received.
Through a woman’s point of view and an unconventional definition of politics, For Sama proves more powerful and significant than many of its peers.
The writers of Film Inquiry discuss their favorite animated films, check out their picks and tell us: what’s yours?
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
Boredom resulted in Lana Stanczak and a friend watching every Sandler movie released through Netflix. A ranking of these … gems.
Stephen Frears’ LGBT miniseries A Very English Scandal showcases his abilities as a director but also his recurring flaws.