Clement Tyler Obropta explores whether or not Scooby-Doo promotes racist messaging, and how it uses xenophobic thinking to power a praxis of politics for propelling the narrative.
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
As we move into November, Disney+ and Apple TV+ are hounds baying at the door to our wallets. But how much potential do they really have to disrupt this streaming gold rush?
It’s possible that the great Pauline Kael might have liked Joker – Chris Cassingham compares it to another controversially violent film, Bonnie & Clyde.
Porco Rosso is a film beaming with silliness and warmth, while also being tied and grounded in a particular human timeframe like very few Miyazaki movies can boast to have.
It is in this moment of burning worlds and a fading hope in humanity that cinema offers its hand. When the most empathetic of mediums loses its patience, it may be time to watch and listen.
The Neglected Politicism of Yasujiro Ozu’s TOKYO STORY
Released just one year after the end of the American occupation of Japan, Tokyo Story obliquely reflects on the changes that came over the country.