Features
The influence of Apollo 11’s moon landing has never been so well-portrayed, and with such subtle and sharp commentary, as it has with EPIX’s Perpetual Grace LTD.
Every year, awards season is full of messy discourse, debates over who really deserved it, and surprising snubs. This year’s Golden Globe Awards were no different.
Soham Gadre reflects on the night of the 2020 Golden Globe Awards, and specifically the awards handed out in the motion pictures category.
Emily Wheeler takes a look at how Jennifer Kent uses sound in The Nightingale and how it contributes to the experience and narrative.
The 2010s have been exceptional for the TV industry. We share our top ten!
As the decade closes out, the push for female centric films and depth seems to be far from waning. These are some of the best female characters of the 2010s.
In the 2010s, filmmakers pushed conventions of the form in both aesthetics and subject matter, expanding the umbrella of what be considered a “documentary.” The result was a decade of feasting for non-fiction film lovers.
Jake Tropila chronicles his top ten action films of the last decade.
Today, A Christmas Carol stands among the most frequently adapted stories in the history of film and television, ranking alongside Sherlock Holmes, Robin Hood, The Three Musketeers, and Frankenstein. Which is the best?
Arthur Christmas offers a world where old and new work together, tossing out destructive baggage while keeping both wisdom and progress.
In April 2017, indie trio HAIM released a live recording of their new, unreleased song “Right Now” in a video directed by Paul Thomas Anderson, shot on 35 mm film and in one unbroken take.
The Film Inquiry team shares their top ten lists of their favorite movies of the decade, making up our Top Ten Best Movies Of The Decade.
Cult-like reverence, government involvement, the possible destruction of humanity, and living in a constant state of panic are all what would happen if Superman showed up today.
We discuss the films Eternal Sunshine of the Spotless Mind and Arrival, in reference to how they deal with complicated ideas of fate and free will.
Director Gurinder Chadha’s work offers American viewers a valuable political lesson about the intersection of class struggle and racism.