Features
As the 40th anniversary of The Shining nears, we have watched and ranked all of Stanley Kubrick’s theatrical releases.
When contrasted against the special designation conferred upon Final Girls, it seems apparent that the horror genre permits its mothers limited options.
By Xiaoyu Yang. When I decided to move from China to study an MFA program in filmmaking at the City College of New York, it was difficult to work in a milieu so different from my own heritage.
Cast Away puts Tom Hanks’ talents and instincts on full display, offering us as viewers a chance to understand why we feel so connected to him.
Images are powerful as is representation. Based on my ancestry, I thought it would be…
Let’s take a look at Psycho II as one of Hollywood’s most famous belated movie sequels.
Why do we worry ourselves over scenarios that are literally millions of times less likely to happen than dying while doing activities like driving and eating?
We revisit the film Max, a controversial WWII film from 2002 starring John Cusack.
What Lost Girls and The Frozen Ground share is the decision to depict a true crime involving one of the minorities most affected by serial killing: sex workers.
To celebrate the tenth anniversary of Inception, we’re going back down the rabbit hole to discuss the film’s plot and make sense of Christopher Nolan’s frenetic dream world.
Why is there an ironic romanticism around doomed romance? What is the reason for this redefining shift within the genre?
In spite of what the Memento’s legacy and promotional material may tell you, Lenny’s problem does not concern memory so much as it does truth.
We look back at David Ayer’s 2014 war film Fury, and the deeper themes of anger mixed with sadness expressed throughout.
Rarely do Christians shudder at the horror of Jesus’s mastery over death and his power of resurrection that form the foundation for the hope Christianity offers the world.
There was a seismic shift in the political landscape of the United States in the…