Features
Even if audiences choose to return, will the festivals be there for them, or will we see a paradigmatic shift to these industry events lodging themselves online permanently?
Violence is key to the narrative of Grosse Pointe Blank, and it forces Martin Blank to contend with who he was and who he has become.
I have a book that’s been staring me in the face for years. It sat…
We investigate how South Korean director Bong Joon-ho conquer the barrier of spoken language through cinematic language.
Patrick Bateman represents the horrors of addiction, hedonism, narcissism and greed – and with a dose of humour, he’s a character that remains ingrained in our pop culture landscape.
We delve further into the HBO film Bad Education, discussing further its themes of greed and altruism in the media.
As the 40th anniversary of The Shining nears, we have watched and ranked all of Stanley Kubrick’s theatrical releases.
When contrasted against the special designation conferred upon Final Girls, it seems apparent that the horror genre permits its mothers limited options.
By Xiaoyu Yang. When I decided to move from China to study an MFA program in filmmaking at the City College of New York, it was difficult to work in a milieu so different from my own heritage.
Cast Away puts Tom Hanks’ talents and instincts on full display, offering us as viewers a chance to understand why we feel so connected to him.
Images are powerful as is representation. Based on my ancestry, I thought it would be…
Let’s take a look at Psycho II as one of Hollywood’s most famous belated movie sequels.
Why do we worry ourselves over scenarios that are literally millions of times less likely to happen than dying while doing activities like driving and eating?
We revisit the film Max, a controversial WWII film from 2002 starring John Cusack.
What Lost Girls and The Frozen Ground share is the decision to depict a true crime involving one of the minorities most affected by serial killing: sex workers.