Features
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.
With Pixar generally becoming stunningly formulaic, there is a treacherous yet tangible place opening-up for LAIKA as America’s most original studio.
These dystopian films not only provide us with an entertainment aspect, but with cautionary tales of the potential dangers of our futures.
The way in which Goodfellas used witty gangster dialogue, innovative editing technique and creative genre features makes the film a timeless classic.
What Pen15 has done is pave the way for more nuanced Asian or Asian-American-centered stories to be normalized onscreen.
Two series, The Good Place and Russian Doll, are wildly different in tone but reminiscent of each other on a philosophical level.
Three new women-centric streaming releases examine the ways in which systemic injustice affects women.
The series Cobra Kai falls in the category of doing nostalgia right, combining both elemnts of the films of the 1980s while also remaining fresh.
Cinephiles fans can virtually visit the Ghibli Museum, a celebration of the prolific Japanese animation studio’s work, designed by Hayao Miyazaki.
By analysing the different ways that True Romance could’ve been structured, we can clearly see the stylistic differences between two filmmakers.
Whether elements in My Neighbor Totoro are imagined or real, the film explores family dynamics in a way that may be relatable to a number of individuals.
Dancer in the Dark holds a mirror up to the world with such clarity that its impossible not to catch a glimpse of ourselves in the reflection.
Blake Collier takes a deeper look at the three Estus W Pirkle-Ron Ormond films that bookended the 1970s.
William Hopson create the perfect double feature with Hamilton and Amadeus through the shared focus of their antagonized protagonists.
The Mandalorian delivered audiences and filmmakers a visual effects breakthrough. And because of it, visual effects are likely changing forever.