Features
The history of horror has brought viewers countless Final Girls, yet we are witnessing a near-Renaissance of unbridled female rage within the genre.
On the surface, Sphere — a 1998 flop directed by Barry Levinson and adapted from Michael Crichton’s hit sci-fi thriller — is perfect for lockdown.
Celebrating its Blu-Ray, courtesy of Criterion, Crash remains one of Cronenberg’s most fascinating and daring cinematic provocations to date.
Jim Dixon sat down to interview with director Vladislav Kozlov and the cast of their upcoming film, Immortalist.
If you want to furnish the holidays with a bit of supplementary “cheer”, pop in one of these gems and you find yourself with some holiday cheer.
Deus ex machina is a sign of lazy writing. Its implausibility takes advantage of the people who pay to see the work and it mocks their intelligence.
The recently concluded edition of the AFI Fest was one of the first to have…
The ability to repeat a day or series of events may be less comforting for some than for others, but it allows an undeniable and unique freedom from time.
Sara Di Muzio looks at ten films that utilize a frame narrative to striking thematic effect and resonate far beyond Shakespeare and various media.
Even if GoldenEye might not be the game-changing masterpiece that it could have been, it does play the Bond game well.
Dinesh D’Souza, a celebrated far-right political commentator, author and documentary filmmaker, has dizzying propaganda films that bleed misinformation.
Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the independent film lover’s radar.
Reflecting on the festival’s conclusion, we want to shine a light on some hidden gems that deserve to be on the general public’s radar.
Transcendental meditation can provide a wealth of benefits and David Lynch’s grand filmography can become the key to open the door.
In the latest Away from the Hype, Sean Fallon looks back at the 1980 film, Cannibal Holocaust.