Features
In more recent years, movies and television shows have started to showcase this more difficult side of dealing with anxiety in spectacular fashion.
Clerks was an instant hit with festival audiences and cemented Kevin Smith as a name to watch. Thirty years later, how does it hold up?
Criterion’s new edition of Paper Moon is what so many have been long waiting for—a definitive release of this staple of 1970s American cinema.
Halloween is one of the most festive times of the year, and with it comes…
News that Robert Pattinson and Parker Finn are developing a “Possession” remake drew criticism from feminist horror writers and critics.
Fleabag and The Banshees of Inisherin in particular live side by side when analysing the heated conversation around war and peace within men and women.
15 years later and Coraline is still scary, moving, funny, and aesthetically breathtaking.
The article explores how social media has transformed film criticism, diminishing the dominance of professional critics and amplifying audience voices.
Film Inquiry takes a look at the new Criterion release of Gregg Araki’s Teen Apocalypse Trilogy.
The Instigators evokes the Boston movies of yore like a Dunkin’ drinkin’ Ghost of Christmas Past.
Beauty has been the focus of the film industry since the early 20th century. We take a look at how its changed through film over time.
Despite its issues, I find the movie an uncomfortably entrancing tale of desire, one that I will continue to return to for years to come.
In most, Shelley Duvall’s characters were defined by the strange, guileless naturalism she brought to her roles, exemplified most by her ability to talk.
This is No Game: Why READY OR NOT Still Matters
Over time, the social commentary underlying the blood and gore of “Ready or Not” has increased in relevance related to our current financial predicament.