Columns
The Descent is a film you literally feel, in a league all of its own.
Safety Last!, Harold Lloyd’s most famous picture, manages to have impressive effects while also delivering delightful comedy throughout.
The Sea Prince and the Fire Child is a classic waiting to be discovered.
Morbius was a double failure at the box office because its lead is boring, its plot is derivative, and its marketing tried its damnedest to trick audiences.
The Truman Show manages to be inspiring and disturbing simultaneously, a symbiosis that is rarely seen.
It may not stand against the test of time in all that it has to deliver, but The Ring still proves to audiences why it never sleeps.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
A Woman of Paris is a romantic drama that is equal parts engaging and tragic, with performances that are as impactful today as they were a century ago.
While not as gory or jumpy as a modern horror movie, The Cabinet of Dr Caligari is definitely a horror movie.
Grounded by the incredible performance of Sissy Spacek and the masterful direction of De Palma, Carrie is a horror masterpiece that defies convention.
With a fast-paced sense of humor, old-styled and eye-catching animation, and a stellar soundtrack, Cats Don’t Dance should have been a hit.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
Overall, 8 Mile is a very entertaining movie and its lead performance is still strong away from Eminem’s initial massive fame.
It has been 90 years since the release of The Invisible Man and much of the film holds true in spite of its age.
The Omen may be a film about the Anti-Christ, but it is also a film that looks at the ills of man, and the ability of evil to conquer good.