Columns
Shawn Glinis takes a look at the new Blu-ray releases of Whirlpool (1949), Time Without Pity (1957) and Charlie Chaplin’s The Circus (1928).
Whether you’re writing a screenplay or simply hoping to add a little quantum oomph to your novel, this writer’s guide to quantum physics is perfect for you!
Shawn Glinis takes a look at the recent Blu-Ray releases of Beyond Evil (1980), Universal Horror Vol. 2 (1933-1943) and Journey to the Beginning of Time (1955).
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
Shawn Glinis takes a look at the recent home video releases of Pledge Night (1990), The Set-Up (1949) and 3 silent classics by Josef von Sternberg
Stories, no matter the medium, have always been full of heroes, so we’re taking a minute to highlight some of our favorites from film and television.
Back Soon is certainly an enjoyable bad movie, but for any bold statements on sexual fluidity you’re better off watching something else.
Shawn Glinis takes a look at the recent home video releases of Luc Besson’s Anna, John Carpenter’s Vampires (1998) and Roger Corman’s A Bucket of Blood (1959).
Jack Godwin takes a look at the portrayal of mental illness in anime film The End of Evangelion.
Invisibility. Camouflage. They are plot devices in many science fiction and fantasy stories, but do we have anything really like it in real life? How does it work?
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
In this week’s Video Dispatches, Shawn Glinis covers home video releases of Wild in the Country (1961), The Ear (1970) and Killer Crocodile (1989).
In the September Bollywood Inquiry, Musanna Ahmed covers new Bollywood releases Chhichhore, Dream Girl and The Zoya Factor.
Some movies can be watched over and over, never falling out of favor and always delivering exactly what we need. Here are our staff picks.
Sometimes, a movie is so bad it’s just bad, such is the case with 2011’s The Love Patient, a movie so offensively, irredeemably bad it’s hard to sit through.