Columns
We are highlighting crowdfunding campaign picks from our friends at Seed&Spark. This week’s films (and one podcast!) run the gamut.
Dodsworth (1936), Flesh-Eating Mothers (1989), Phase IV (1974), and Emanuelle in America (1977) received new home video releases, let’s take a look.
As we wait for the next Bond installment, we take a look back at the 1965 film: Thunderball.
Film Inquiry stands with the #BlackLivesMatter movement, and a little on what we do, and what you can do, to make the film industry more hospitable to people of color.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
For this month’s Staff Inquiry the team talks about their favorite felines to grace the screen.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
Goldfinger boldly takes Bond bigger and better than ever, delivering an exhilarating entry comprised of many of the series’ greatest hits.
In this all-new bi-weekly column, Film Inquiry will feature some crowdfunding campaign picks from our friends at Seed & Spark – this week, some great Latinx, Asian-American and queer projects.
Kept Boy is neither so bad it’s good, nor is it endearing. It’s just a dull movie populated by unlikable characters.
In the No Time To Die Countdown, Jake Tropila takes a look back at every Bond film in anticipation of the release of the latest entry.
For our latest Staff Inquiry, we decided to delve into our favorite streaming shows, and why it is worth it giving them a chance.
Paris is Burning (1990), Angel (1937) and Trapped (1949) received new home video releases, let’s take a look.
Esteros is a sweet, simple love story about two former lovers who reconnect as adults and discover that the feelings they had for each other never went away.
Let’s take a look at some of the most recent home video releases: Richard Jewell (2019), Uncut Gems (2019), Hot Dog… the Movie (1984), Valerie and Her Week of Wonders (1970), and two Wesley Snipes films.