Columns
It’s a clever and fresh take on not only an oversaturated genre but also an intriguing take on one of the most fool-hearted days of the year.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
A fun, sexy, romantic comedy, Just Friends is a Dutch TV movie about two young men falling in love.
Gold at the end of the rainbow, ancient magics, and leprechauns all to delight and even terrify. This was the goal of Mark Jones’ Leprechaun.
Sure it doesn’t have the best acting, narrative or even the best effects, but Freddy vs. Jason offers audiences a return to slashers of old.
Queerly Ever After looks into the 2006 teen romantic-comedy The Curiosity of Chance, where a new guy tries to find his place in a new school.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
Page To Screen contrasts Love, Simon and its original source, showcasing what’s lost when a coming-out story is re-molded for the screen.
Queerly Ever After #46 analyzes 2015’s Akron, where two young men find love despite a tragedy that links their families together.
Far from the best horror film, and far from the best slasher, there is something classically endearing about My Bloody Valentine.
This is ultimately an enjoyable musical rom-com, and fun adaptation of a Shakespeare classic.
House of Wax boasts an impressive performance by Vincent Price, a strong induction into horror history and proof that remakes are not all bad.
Private Romeo is an adaptation of Shakespeare’s Romeo and Juliet that transposes the action to the fictional McKinley Military Academy.
In a retrospective world, now is the time to revisit Splinter – or to discover it for the first time. You won’t be disappointed.
For this Queerly Ever After, Amanda Jane Stern takes a look at the 1996 film: Different for Girls.