Columns
On the latest Video Dispatches, we take a look at recent releases from Eureka Entertainment, Lionsgate Films, and Well Go USA.
In the latest edition of Horrific Inquiry, we take a look back at 1997 slasher I Know What You Did Last Summer.
For this Queerly Ever After, we take a look at the 2012 film Morgan.
While this remake may not be the first film that comes to mind this Father’s Day, it is an enjoyable horror film that lends itself to multiple rewatches.
Queerly Ever After #54 focuses on 1998’s Like It Is, a clunky-yet-endearing romantic drama set in Blackpool, England.
In the latest installment of Queerly Ever After, we take a look at 2016’s Fair Haven, a well-acted conversion therapy drama.
Jake Tropila takes a look at the latest video releases from MVD Rewind, Arrow Films, Warner Archive, and Indicator Series.
In the latest installment of Queerly Ever After, we take a look at 2013’s Five Dances, a film about two men who find love in a dance studio.
From witches to Satan, Rosemary’s Baby has it all, and while it may not have aged as well as hoped, it is still a classic film that still influences.
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
Jake Tropila takes a look at the latest video releases from the Criterion Collection, Kino Lorber, and Vinegary Syndrome.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.