Last week, I got to interview Lorna Suzuki for FilmInquiry. Lorna is the author of the Imago Chronicles, a fantasy series, and recently got her books optioned for a film adaptation by a pretty grand film production team. This is especially exciting because Lorna is an indie author – the Imago Chronicles are self-published.
This week I mentioned the Luna Leederville Cinema, where I went to see Only Lovers Left Alive. It’s a classic, art deco cinema here in Perth, and this week, they’re doing something rather awesome. They “turned” it into The Grand Budapest Hotel for the movie premiere.
The Quiet Ones documents a university professor and his team of students in 1974 as they attempt an “experiment” on a young psychiatric patient, which uncovers dark and dangerous forces. Claiming to be inspired by true events, the movie revolves around the hypothesis that the supernatural is a “manifestation of what’s already in the mind” and by using the scientific method to provide evidence, the patient can be cured. Starring in this film are Jared Harris and Sam Clafin, both of whom are notable British actors.
Here at FilmInquiry, we love to read about movies, write about movies, and to learn more about movies every day! If you too would like to learn more about movies, we suggest you check out the following list. We’ve listed ten courses (on different types of platforms) about filmmaking, film history and everything else film.
I was invited by Andrew Ellington to participate in this relay blogathon – thanks Andrew! This list of the ten most iconic characters in history was first created by Nostra at MyFilmViews. The idea is that every participant deletes one iconic character from the list, and then adds a new one.
Last weekend I attended a screening of Jim Jarmusch’s latest production, Only Lovers Left Alive, at the Luna Leederville Cinema here in Perth (which, by the way, is a beautiful original 20’s art deco cinema). While I’ve only seen two of Jim Jarmusch’s movies (Coffee and Cigarettes and Dead Man), Only Lovers Left Alive has Jarmusch’s distinctly recognizable style: it’s dark, pretty, it’s gritty, and very witty (how’s that for rhyming?
It’s been a while since our last Lounge, but times have been crazy so that’s what you get! Let’s pick a nice lounge for us to hang out at… Let’s go to Norway!
The first in an ongoing column designed to help readers broaden their understanding of a wide variety of movies, and to become a well-rounded cinephile.
Divergent’s a fun, entertaining movie, but it has a few flaws. We discuss whether the film lived up to the book, and its glorification of extraversion.
The most memorable and famous movie quotes of all time (as listed by the American Film Institute) visualized in an infographic. This is awesome.
Tyler Rowe’s review of Guillermo Del Toro’s Pacific Rim. Those kaijus and robots were awesome, but we wanted MORE. Of everything.
Wes Anderson can be an acquired taste. Settling on gathering enjoyment from his films can come after much deliberation as to whether he’s serious about the utterly finicky nature he employs in his chosen colour palettes, set construction, camera movements and scrupulous plot details. But his films carry far more value than the kind of hipster magnetism that seemingly oozes out of them.
To help you apply the knowledge of the “How To Analyze Movies” series, we made you a handy tool! This is our movie analysis Beat Sheet.
Noah is surreal and magical: nothing what you’d expect of a Bible retelling, but everything you’d expect from Darren Aronofsky, and it’s a piece of art.
Kristin Bell is back as Veronica Mars! Kimberly Gamble, a “Mashmallow” herself, reviews the movie.