What’s on the Menu? The Exit Room is a film written and directed by Todd Wisemen (Improv Island, Manifesto). It stars Christopher Abbott (Martha Marcy May Marlene, All That I Am) as Joseph Michaels, a journalist facing execution in a futuristic America.
After a couple of talking head viral teasers, we finally get our first glimpse of the situation in Panem in the new trailer for The Hunger Games: Mockingjay – Part 1. Based on the final installment of Suzanne Collins’s wildly popular series of Hunger Games novels, Mockingjay moves from the games arena to a full-on rebellion reluctantly led by Katniss Everdeen.
For me, the way a film looks is nearly as important as how good it is. I can remember leaving several theatres saying, “Wow, that movie was terrible, but it looked amazing!” Film is a visual media after all, and cinematographers work extrememly hard to present audiences with beautiful and stunning imagery even if the film doesn’t work as a whole – I’m looking at you, Prometheus.
Mad Max: Fury Road is the fourth installment of the 70’s-80’s Mad Max trilogy. It’s both a reboot and a continuation of the series – it’s written and directed by the original mastermind:
The hottest and most popular film genre is the superhero genre. Since the late ’90s, thanks to DC Comics and Marvel Pictures, they have consistently produced superhero films that bring audiences in big masses to theaters. So far this year, there have been three films from that genre, and we are still waiting for the much-anticipated release of Marvel’s Guardians of the Galaxy on August 1st.
Every Monday Film Inquiry publishes the movies that are opening in cinemas! This week: Guardians of the Galaxy, Get On Up, Calvary and What If.
It’s really amazing how some actors are willing to forgo a career full of surefire cash grabs and blockbusters for smaller, bolder roles. Actors like Ryan Gosling and Jake Gyllenhaal have done this and created some very interesting (though not always great) movies that stretch their abilities and require more thought than the many interchangeable popcorn flicks. Maybe it was the train wreck that was Prince of Persia:
Hello all! Gather ’round, it’s time for this week’s Cinephile’s Lounge! Let’s hang out in this beautiful cinema today, the Phoenix Cinema in London.
I was first introduced to this short film by the director I’m working on a short film with. I showed him Francis, which reminded him of Lights Out, so he showed me. Trust me when I say I’ve already been seeing things when I turn off the lights around the house since I saw the short.
Imagine having only hours left until the end of the world and everyone you know and love is heading to the party to end all parties. Now imagine you inadvertently become the only hope for a child searching for her father. What would you do?
Every month, the team of Film Inquiry is posed a question. This month, the question is “what is your favorite film theme, and which movie did it best?” You can read the answers of the individual team members who chose to participate below!
Could Foxcatcher be the next big Oscar bait film? Foxcatcher is the unsettling true story of American millionaire John du Pont’s relationship with American Olympic wrestling brothers, Mark and Dave Schultz. Foxcatcher is helmed by Bennet Miller, and stars Channing Tatum, Steve Carrell, and Mark Ruffalo.
Dawn Of The Planet Of The Apes is the sequel to Rise Of The Planet Of The Apes (2011), which heralded the latest reboot of the Planet Of The Apes franchise. Dawn presents a story much more intelligent than you’d expect of a blockbuster, its creators having put an overwhelming amount of effort into creating a world that is believable, into creating a wholly new culture for characters that are unique and relatable, furry or not. Rise was good, but Dawn is even better.
There is only one theatre within reasonable driving distance where I can go to see the smaller, limited release films that come out. On their website they list any small film as an “art film”. When I finished watching Snowpiercer this title seemed like a complete misnomer.
The New York Film Academy recently published a pretty awesome infographic on their website, featuring the top 10 darkest characters in film. I’ve been known to be partial to the darker characters – I’m still a bit unsure whether I’ve a dark passenger of my own inside me or not, but I can’t help but always like the dark characters more than the happy ones. As I see it, they make any story more interesting.