Lee Jutton sat down with the team behind soccer documentary Coach about how sport can help facilitate social change.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
Saving the best for last, ”Blurryman” is definitely the best episode of Season 1 of The Twilight Zone simply because it isn’t afraid to take risks.
1939 is often called the Greatest Year in Movies. A list of 25 classics from this memorable year in cinema prove why it surely contends for that title.
The hands of power have shifted and four pomegranate seeds have been gathered – we are halfway through The Spanish Princess!
For all its flaws, Girls Stroke Boy is a portrayal that is more progressive than a lot of current cinematic depictions of trans people.
Wonders of the Sea following explorer and filmmaker Jean-Michel Cousteau is well-intentioned but never a truly satisfying experience.
Chernobyl has haunted and disturbed viewers with visual elements and direct faults of man so far, the fourth episode yet is the hardest of them all.
The third episode of Chernobyl leaves you helpless with this ghoulish and grisly wave of inevitably, but you can’t for the life of you take your eyes away from it all.
We spoke with Hilary Swank and Clara Rugaard, stars of the upcoming sci-fi thriller I Am Mother, about what makes this specific sci-fi so intriguing.
There’s smart comedy, earnest romance, poignant drama, and visuals to dazzle even the most superhero-addled of viewers. Let’s talk about Good Omens.
In Skin, a young man, raised by racist skinheads, turns his back on hatred and violence to transform his life, with the help of a black activist.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
The Last Summer is a frustratingly empty addition to the coming-of-age sub-genre and might struggle to hold the attention of its intended audience.
Video Dispatches is a regular column reviewing recent home video releases. This week we covered Claire Denis’ softly dismissed Let the Sunshine In.