Despite the atheism and pure materialism in the world of John Wick, the bureaucracy of the High Table wields its power using the rhetoric of religion.
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
Season three of The Handmaid’s Tale has started and Hulu released the first few episodes. As you might expect: things are as dire as ever.
The wives of New York gangsters in Hell’s Kitchen in the 1970s continue to operate their husbands’ rackets after they’re locked up in prison.
Can epic fantasy work without the bond between a hero and their creatures at the forefront of the narrative?
The Souvenir is a refreshingly honest look at first love, class and privilege and includes a great performance by Honor Swinton Byrne. Janet Lee reviews.
The allure of Jon Foreman’s approach to life can be summed up by one day documented for all posterity in the documentary 25 in 24.
The Farewell reveals Lulu Wang is a director to watch out for, but loses impact by leaving so many of the themes it wishes to explore unspoken.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
Beatriz at Dinner is one of the earliest reactionary films of the Trump Era. The question remains whether or not it has any answers for the current climate.
The final episode in what has become the highest rated TV show ever recorded on…
We spoke with Peter Medak about his new documentary The Ghost of Peter Sellers, reconciling the past, and his many friendships with some of Hollywood’s best.