In Good Boys, 3 6th grade boys ditch school and embark on a journey while carrying accidentally stolen drugs, and trying to make their way home in time.
Is Quentin Tarantino just another white male director carelessly contributing to the gender bias in cinema with Once Upon a Time in Hollywood?
The 5th season of Black Mirror is satisfying, but never reaches Charlie Brooker’s best work. Bree Duwin reviews.
The latest episode of The Handmaids Tale, “God Bless the Child” leaves you right where it wants you: seeking more.
With poor dialogue and a failed execution, Hallowed Ground is a massive disappointment and just might be one of the worst films of 2019.
#like explores violence against women in an interesting way, but feels convoluted at times. Zoe Crombie reviews.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Men In Black: International doesn’t work like it should, but Kumail Nanjiani is a standout in this mediocre entry to the franchise. Alex Arabian reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.
The Devil and The Lovers serve as a fascinating double-bill of Too Old to Die Young but it remains to be seen whether the series will grow into its own.
The manic pixie dream girl trope is indicative of sloppy writing and has become an easy way for Twitter users to dismiss complex female characters.
Katie Says Goodbye proves playing an uplifting song at the end of a film doesn’t resolve the absence of thematic meaning that was lacking throughout the entire movie.
Frivolous in treatment and a trailer more impactful than the film itself, Loners never understands its true potential.
With gorgeous cinematography, The Third Wife invites us into a broken world of arranged marriage and patriarchy in 19th-century Vietnam.
Jeffrey fully embraces the AIDS contradiction of 1995, always teetering on the edge of potentially borrowed time.