The first season of Gentleman Jack is a largely amiable watch, putting a character we’ve not seen before in a series that feels quaintly familiar.
From being a mere dark joke to being a mere character choice, LGBTQ characters in teen films have completely transformed.
Papi Chulo is executed so exceptionally well and clearly with such care, that emotion pours out of the screen.
Dark Victory is yet another film released during the landmark year of 1939 all but cementing Bette Davis’ reputation as a force of nature.
Fuck You All: The Uwe Boll Story is a film that is as direct as its title, and is an interesting insight into what makes a man like Uwe Bill tick.
Kristy Strouse spoke with the founder of the Rom Com Fest Miraya Berke about how the festival began, the challenges along the way and the rom com!
While it may stumble under the weight of its own plot, Recovery is flawed, but it’s fun with moments that are really worth checking out.
For this Staff Inquiry, we get out the tissues and shake off our shellshock to give our own personal takes on the affecting deaths from film and television.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.
Endzeit (Ever After) is a breath of fresh air to see that there can still be originality in a tired troupe, a refreshing take on the apocalypse.
Murder Mystery is a generic comedy from Adam Sandler, but thankfully never up there with the actor’s worst efforts. Mark MacPherson reviews.
If you are a fan of film and/or soccer, it’s impossible to not find something to like within these films, which played at this years Soccer Film Festival.
With deeply moving and dynamic performances top to bottom, American Woman is a powerhouse of a film.
Toy Story 4 is the finest of the Toy Story sequels, and if it’s the start of a second trilogy, then we’ll follow it to infinity and beyond.