Pitch Perfect will only be remembered as the series to have blackjacked its fanbase into thinking it’s queer-friendly.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.
In his first recap from the 2019 Sydney Film Festival, Alex Lines reviews Saturday Afternoon, Synonyms and Why Won’t You Just Die?
In Reality might not fully pass The Bechdel Test, but it’s a fun exploration of dating life and Ann Lupo’s filmmaking skills. Tuesday Blue reviews.
Pause examines the life of a woman trapped in an unhappy marriage, played with gusto by Stella Fyrogeni. Aaron Berry reviews.
The Secret Life of Pets 2 is fine enough sequel, but never really explores all its potential. Debbie Lawrie reviews.
In Luce, a married couple is forced to reckon with their idealized image of their son, adopted from war-torn Eritrea, after an alarming discovery by a devoted high school teacher threatens his status as an all-star student.
In this installment of Video Dispatches we cover Track 29, the four films of Batman, The Believers and Ghosts of Mars!
Despite the demand for more portrayals of lesbian intimacy and the potential to do so tastefully, the topic is still treated with little care.
Though beautifully crafted, Too Old To Die Young is a slow and frustrating watch that’s hopefully worth it in the end.
Tora-san is one of Japan’s national treasures running roughshod over the nation’s norms while still functioning as a lovable reminder of bygone times.
2019 saw the end of both Game of Thrones and The Avengers as we knew them. Luke Walpole takes a closer look at the respective finales.
A film that is not enjoyed so much as processed, Midsommar is a rare experience that is not to be missed. That being said, you absolutely cannot skip it.
The Raft is a rare documentary which aims to offer closure to its subjects, making it a rewarding watch. Hayden Cornmell reviews.