A beautifully poignant piece, Princess Cyd is a breezy treatment of sexuality, spirituality and women’s relationships in lieu of drama for drama’s sake.
Charlie’s Angels sees a new generation of private detectives working for the mysterious Charlie.
In this week’s Video Dispatches, we cover the recent home video releases of two Jean Claude Van Damme films, Heroes Shed No Tears and Minute Bodies.
Back to the Fatherland looks at Israelis who have moved to Austria despite the historical hardships. Intriguing, yet the execution doesn’t do it justice.
Musanna Ahmed had the opportunity to speak with director Luke Lorentzen about his award winning film Midnight Film.
The ISA’s Planning Your Pitch event in LA proved to be a valuable resource for anyone seeking to get their screenplay out there into the marketplace.
With the strength in its original script and performances, Bite Me is an incredibly refreshing rom-com that has a lot to say about today’s world.
The Good, The Bad, The Hungry looks deep into the world of professional earring and how hot dog eating feels like the height of campy fun.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.
Musanna Ahmed had the opportunity to speak with directors Waad al-Kateab and Edward Watts about their eye opening documentary For Sama.
LGBTQ+ fans want good stories about queer people, not the cop-out nonsense of Pitch Perfect 3 or wishy-washy garbage like Pitch Perfect and Pitch Perfect 2.
Tracks is a rather tedious ride that doesn’t possess any of the characteristics a rom com should have in order to soar.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.
Spider-Man: Far From Home has all the right stuff, tinkering with the superhero formula and reshaping what we’ve come to expect.