Summer Night is a perfectly sweet film about the hot, hazy nights we’ve all had and can look back to with adoration and nostalgia.
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
The Handmaid’s Tale “Household” is redolent with disturbing new discoveries, and plenty of reminders of how dark and dirty the government of Gilead can be.
In 21 Bridges, a disgraced detective in the NYPD (Chadwick Boseman) is given a shot at redemption.
The New Taiwanese Cinema of the ’80s and ’90sis defined by the likes of acclaimed directors like Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang, and Ang Lee.
Kursk is an emotional drama based on real events. Thomas Vinterberg shines a light on the tragedy from within the sea and from the land.
In our second report from Edinburgh International Film Festival we cover Yesterday, Love Type D, Astrounaut and more!
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
Despite a couple of fun, breezy jokes, For Love or Money’s the narrative is neither fresh nor funny enough to be a hit with the romantic comedy crowd.
While it may sound nonsensical, Andrew Emerson discusses why The Last Black Man in San Francisco shares important similarities with musicals.
While it’s a hard watch, Too Old To Die Young is Nicolas Winding Refn’s finest work – a series to be savoured, mulled over and discovered again and again.
In our first report from Edinburgh Interntational Film Festival we cover Boyz in the Wood, Aniara, Not the End and The Furies.
We have come to the end of the line for the first season of The…
Whether you’re an avid theatre-goer, an actor, or someone who enjoys dark comedies, there will be something enjoyable in Ghost Light.