Heading into the final part of the third season, decisions need to be made, soon, to solidify this show’s position. What’s the endgame? Who is June going to be?
Single Ladies never escapes its fleeting feeling, but is admirable for condensing an entire season of TV into the length of your average episode.
Alex Lines spoke with Emma Vestrheim, editor of Cinema Scandinavia, for her top picks ahead of The Volvo Scandinavian Film Festival.
While men have come in and out of Fleabag’s life, her relationship with Claire has been the defining relationship of the series, making Fleabag the ultimate love letter to sisterhood.
With an uninspired script and meaningless dialogue to fill space, Cold Blood is lifeless from the opening moments, failing to live up an action movie or thriller.
Despite Our Time’s 3-hour runtime, there isn’t a sequence that doesn’t contribute to a larger understanding of why time is of such essence to each of us.
Fun Down There defies the conventions of storytelling through its radical depiction of a couple who is non-monogamous on screen – and to do it so calmly is unheard of.
In Ad Astra, an astronaut travels to the outer edges of the solar system to find his father and unravel a mystery that threatens the survival of our planet.
Days of the Whale is a wonderfully engaging and weighted debut by Catalina Arroyave, showing she’s a filmmaker to watch out for.
Now that Sheffield Doc/Fest 2019 is behind us, Musanna Ahmed takes to the fest’s Doc/Player and reviews five of the films on the streaming platform.
In this week’s Video Dispatches, we cover the new releases of Hedwig & The Angry Inch (2001), The Loveless (1981) and a collection of Charley Bowers films.
The only thing more surreal than the experience of going to see Bi Gan’s Long Day’s Journey Into Night is perhaps the movie itself.
Darlin’ is both a heartfelt story of growing up and making friends and a gory depiction of the dangers connected to men believing they are above the law and God.
Read our latest Beginner’s Guide to Classic Hollywood Melodramas reevaluating filmmakers like Douglas Sirk, Max Ophüls, and Nicholas Ray.
While Yesterday isn’t perfect, it’s the lighthearted, fun, summer movie that we need right now.