While The Farewell brings the identity crisis that many immigrant families face to the big screen, it also is a true-to-life reflection of family dynamics that everyone can relate to.
From the first frame to the last, Firecrackers is clearly a story by women, about women, stubbornly through their gaze without regrets.
Molly Hewitt spoke exclusively to Film Inquiry about Holy Trinity, alternative sexuality, lifestyles and spirituality, and life in dystopia.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
The staleness pervading PEN15 isn’t because every situation and joke has been tapped before, better, elsewhere — this material has been strip-mined.
Stuber isn’t a life changing film, but it’s a worthy addition to the buddy-cop comedy pantheon.
In Scary Stories To Tell In The Dark, a group of teens face their fears in order to save their lives.
Ang Lee has won both awards and critical acclaim for his portrayals of gay couples in Brokeback Mountain and The Wedding Banquet, yet both are flawed.
We spoke with Finnish Filmmaker Timo Vuorensola on his latest film, Iron Sky: The Coming Race. While the film is polarising, there is no denying the passion put into the series.
Euphoria has something important to say and has good ideas in its grasp but can never look them in the eye.
Varda by Agnes is a disappointing finale to a remarkable career, a feature length beginner’s guide to her back catalogue for new fans only.
In the live action Mulan, a young Chinese girl disguises herself as a male warrior in order to save her father.
Lacking of personality and originality, Robert the Bruce is an unwatchable kitchen-sink clutter of fantasy, reality and propaganda.
Without the love and affection of its predecessor, nor does it have a sense of discipline or focus, Iron Sky: The Coming Race falls flat.
Film Inquiry’s Alex Lines got to chat with Gemma Hall, one of the co-directors of new Australian webseries Single Ladies.