By Maria Giese When the Director Guild of America’s Women’s Steering Committee was officially established…
By Maria Giese In 1979, the DGA “Original Six” directors: Susan Bay, Nell Cox, Joelle…
“TV in ten years is going to be 100% streamed. On demand. Internet Protocol. Based…
By Maria Giese The DGA hosted an event Saturday night to celebrate the six women…
Do DGA Lists result in producing a small, static pool of unfairly advantaged women directors and effectively keep others shut out?
By Maria Giese The Director’s Guild of America needs to adopt a distinct mandate in…
By Maria Giese WHY IT MATTERS: Hollywood, for all its outspoken liberalism, is an industry…
By Maria Giese Eighteen months ago, when DGA women hoped to celebrate the 35th anniversary…
By Maria Giese Hollywood approaches increasingly dangerous crossroads for Title VII violations with the convergence…
In Video Dispatches, we cover some of the newest home releases. This week: Morituri (1965), Warlock (1959), and Bronco Billy (1980).
Romanian film I Do Not Care If We Go Down In History as Barbarians makes a bold statement about power and violence without resorting to fighting fire with fire.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
Aaron Harvey spoke exclusively with Film Inquiry about his latest film, revenge thriller Into The Ashes.
A Faithful Man is a charming farce that only the French could pull off, combining all of the best elements of vintage romances with a thoroughly modern take on gender roles.
While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.