Women Directors: To Sue Or Not To Sue?

By Maria Giese When the Director Guild of America’s Women’s Steering Committee was officially established…

Michael Franklin: Hero To Women Directors

By Maria Giese In 1979, the DGA “Original Six” directors: Susan Bay, Nell Cox, Joelle…

Women Helmers In Media’s Brave New World

“TV in ten years is going to be 100% streamed.  On demand.  Internet Protocol. Based…

DGA Tribute: Next Moves for Women Directors

By Maria Giese The DGA hosted an event Saturday night to celebrate the six women…

DGA Diversity Lists: The Killing Chokehold On Women Directors

Do DGA Lists result in producing a small, static pool of unfairly advantaged women directors and effectively keep others shut out?

How The DGA Used New By-Laws To Silence Women Directors

By Maria Giese The Director’s Guild of America needs to adopt a distinct mandate in…

The “Women Directors” Crisis In-a-Nutshell

By Maria Giese WHY IT MATTERS: Hollywood, for all its outspoken liberalism, is an industry…

DGA Women Deny Their Own Political History

By Maria Giese Eighteen months ago, when DGA women hoped to celebrate the 35th anniversary…

DGA President Blocks Jobs For Women Directors

By Maria Giese Hollywood approaches increasingly dangerous crossroads for Title VII violations with the convergence…

Video Dispatches: MORITURI, WARLOCK & BRONCO BILLY
Video Dispatches: MORITURI, WARLOCK & BRONCO BILLY

In Video Dispatches, we cover some of the newest home releases. This week: Morituri (1965), Warlock (1959), and Bronco Billy (1980).

I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS: Where Real Horrors Lie In Reinterpretation
I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS: Where Real Horrors Lie In Reinterpretation

Romanian film I Do Not Care If We Go Down In History as Barbarians makes a bold statement about power and violence without resorting to fighting fire with fire.

FRANKENSTEIN'S MONSTER'S MONSTER, FRANKENSTEIN: A Quick-Paced Satirical Special
FRANKENSTEIN’S MONSTER’S MONSTER, FRANKENSTEIN: A Quick-Paced Satirical Special

Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.

INTO THE ASHES Director Aaron Harvey Talks Crime & Revenge

Aaron Harvey spoke exclusively with Film Inquiry about his latest film, revenge thriller Into The Ashes.

A FAITHFUL MAN: Practically Parisian in Every Way
A FAITHFUL MAN: Practically Parisian In Every Way

A Faithful Man is a charming farce that only the French could pull off, combining all of the best elements of vintage romances with a thoroughly modern take on gender roles.

LUZ: A Giallo Throwback That Thrills
LUZ: A Giallo Throwback That Thrills

While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.