Even if Douglas doesn’t match its predecessor, the material is strong enough that it could still wind up being the second greatest stand-up film of all time.
Amanda Jane Stern had the opportunity to speak with co-writers Michael Waite and Roger Stigliano about their 1989 film Fun Down There.
Love, Antosha competently tells the utterly heartbreaking story of Anton Yelchin, the very intelligent and talented actor whose life was cut short.
Columbus, Tallahasse, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.
Ashley Joiner’s documentary Are You Proud is a gateway into the history of LGBTQ+ rights, rather than a comprehensive study, which is understandable due to the format.
This week’s Video Dispatches covers the new home video releases of Buster Keaton’s films, The Reptile (1966), Claire Denis’ High Life and 2018 film Transit.
Pavarotti is at times hard to watch, but ever so entertaining and explosive exploring one of the most captivating and astonishing artists of the 20th century.
Despite some design flaws, Astronaut sticks its landing enjoyably enough thanks to the command of Dreyfuss and a novel angle of attack.
While it’s set up with a poignant perspectives, Cubby fails to provide an introspective look into loss and growth.
In Bear Witness, episode 10 of season 3 of The Handmaid’s Tale, June’s back, she’s determined, and now, there’s a real chance at change.
Big Little Lies, like thousands of great TV shows and movies before it, has fallen victim to sequel fatigue.
Ruth Caudeli’s Second Star on the Right winningly captures our varying levels of maturation and individualism, with beauty and style.
Lacking a statement about the artist-muse relationship, Nick Broomfield’s Marianne & Leonard: Words of Love fails to live up to the promise of its title.
While it’s not the best made documentary of the year, The Great Hack is the most important documentary you’ll watch all year.