Despite the dwindling ending, Sword of Trust still manages please us with delightful and memorable performances from a talented cast.
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
Palm Beach lacks a sense of purpose – that despite it brimming with a number of winning personalities, its just a shame that the film they’re in lacks one itself.
In Jojo Rabbit, a satire from Taika Waititi, a young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.
We take a look at the recent home video releases of The Leopard Man, and De Palma’s Domino and Obsession in this week’s Video Dispatches.
Despite enormous potential, Supervized misses the mark and makes fun of its subjects instead of making something memorable. Adam Mock reviews.
Laura Birnbaum spoke with Chicago-based filmmaker, author, professor, and critic Michael Glover Smith about his films Cool Apocalypse, to Mercury in Retrograde, and Rendezvous in Chicago.
Luce is a fascinating and thrilling study of gender, race and identity with compelling performances from the cast. Brent Goldman reviews.
The Handmaid’s Tale “Liars” finally delivered huge moments that promise one thing: nothing is going to be the same.
Stuck is a fun comedy about a woman trying to do good but getting side-tracked by her habits and her past.
Even if another never gets made, Running Scared deserves to be considered a great one-off in the world of vulgar auteurism.
Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.
Charming guests full of personality and stories capable of filling given run time are exactly the reminder of authentic entertainment this current era of television needs.
Ash Is Purest White is a masterpiece of time and alienation. Aaron Berry examines the ways time affects the characters.