Jawline is an honest and nuanced look at social media stardom and what it’s doing for young millennials and Generation Z.
Documenting the universal process of death is no easy task, but Alternate Endings find the perfect balance between exploration, education, and empathy.
We take a look at John Brahms’ 1940s trilogy of psychological noir and how they help can help us predict and understand fascist ideology and the alt-right.
Alex Lines covers the short film award winners of this year’s Melbourne International Film Festival shorts programme.
Read our review of Nicholas Ray’s genre-defying, low budget gem On Dangerous Ground now streaming on the Criterion Channel.
Cold Case Hammarskjöld is entertaining, even if it’s not the bombshell documentary we expected.
Where’s My Roy Cohn reveals how a deeply troubled master manipulator shaped the current American nightmare.
The new documentary Illuminated: The True Story of the Illuminati explores the elusive group. We spoke with director and freemason Johnny Royal.
Them That Follow needed a bit more oomph to truly stand out, especially with a cast this talented and a subject this ripe with potential.
Kristy Strouse spoke with Garret Price, director of the documentary on the life of actor Anton Yelchin, Love, Antosha.
Tarantino isn’t afraid to reshape and play with the truth, making Once Upon a Time in Hollywood one of his boldest and bravest to date.
Alex Lines reviews The Gangster, The Cop, The Devil and Take Point, following their recent Australian premieres at the Korean Film Festival.
Gadsby delivers Nanette with not just a message, but a narrative, something more commonly described by another word when such a show is recorded – film.
After some false starts, The Boys’ “Get Some” solidifies the mission statement of the show, pushes our established characters in new directions and broadens the scope of the world.
Otherhood might not be the worst thing Netflix has released since it started producing original films, but it lacks the artistic depth and ambition a story like this deserves.