Give Me Liberty evokes a sense of timelessness and universality that permeates through every element of the film.
Equalled with terrific editing and a beautiful turn of cinematography, Revenir is a terrific boiling pot of emotional intensity.
Thankfully, strong cast and fan following go along way to make Angel Has Fallen enjoyable despite its director’s shortcomings.
In The Report, Senate staffer Daniel J. Jones uncovers shocking secrets when tasked to lead an investigation into the CIA’s post 9/11 Detention and Interrogation Program.
Despite the overt silliness of I Was A Teenage Werewolf, it might give us a useful way to think about the cultural impact of one Dr. Jordan Peterson.
An alluring fixture with a hefty and enlightening impactful weight, The Laundromat drowns due to an overindulgence in material and excessive narrative.
The Death of Dick Long might easily be the most bizarre film of the year, but it’s also one of the funniest.
Burn is a stand-off between undeniable indie individualism and psycho-thriller, without a true path.
The Fanatic, directed by Fred Durst and starring John Travolta and Devon Sawa, is campy, a bit ill-spirited at times, but I still couldn’t turn it off.
Dark and gritty, Joker is a pressure cooker of emotional abuse that is just ticking, ready to blow at every minute.
Jexi is a comedy about what can happen when you love your phone more than anything else in your life.
In this week’s Video Dispatches we take a look at the recently released Blu-Rays of Moonfleet (1955), In Fabric (2018) and A Blonde in Love (1965).
The plot thickens in episodes 4-6 of Mindhunter: Season 2, as the dramatic fallout of the first season fades into the rear view mirror and the intense conflict of this new season shifts to the forefront.
While Ad Astra is no doubt visually stimulating, ultimately Gray’s film is a meandering lifeless existential entity that overly emphasises on simplicity.
Marriage Story is a heavy-hitting and brutal feature that leaves no stone unturned and no fallen tear allowed to escape from the camera.