Balloon is a short film that will lend different meanings to a wide variety of viewers, yet one feels it may draw in the wrong crowd.
Amy Schatz’s “In the Shadow of the Towers: Stuyvesant HIgh on 9/11” recounts the harrowing day through the eyes of high school students who saw it happen first hand.
Above all, Pedro Almódovar’s latest film Pain and Glory is a semi-autobiographical trilogy and a love letter to cinema.
A newly crowned king must navigate palace politics, the war his father left behind, and the emotional strings of his past life.
Cinema allows us to immortalise people and events, capture change and examine the nature of time. Liam Beazley explores how time is explored in film.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.
I Trapped the Devil ultimately has just enough meat on its bones to stick with viewers willing to plunge into its grim, nightmarish world.
Monique Vigneault had the opportunity to speak with actress Nadine Labaki and director Qualid Mouaness about their latest film 1982.
Céline Sciamma’s tender masterpiece paints a portrait of visual poetry, of what happens when art intersects with love for a fragment of time.
Together is a poignant and fascinating meditation on death, loss, and our natural obsession with it.
Boys Don’t Cry celebrates its 20th anniversary this year. Emily Wheeler examines its difficult past and troubling legacy
Mirrah Foulkes’ folk tale of misogyny in the Middle Ages, Judy & Punch, is sometimes mischievous and sometimes utterly volatile, but never formulaic.
Amanda Jane Stern had the opportunity to speak with actor Martin Bruchmann about his time filming the 2012 gay film Silent Youth.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
Despite excellent performances from Binoche and Deneuve, Koreeda’s The Truth is rather more conventionally dull.