Mismatched cousins David and Benji reunite for a tour through Poland to honor their beloved grandmother.
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
Revisiting July Rhapsody is a reminder that Ann Hui is one of the most empathetic and important filmmakers of the Hong Kong New Wave.
The prevailing refrain of Thelma is how it supersedes expectations in all manner of ways.
How I Roll is not just for those familiar with the difficulties of MS, but those who wish to see how the human heart can endure and continue to thrive.
It tells the story of a newly pregnant couple who are forced to take in an ailing, estranged stepmother.
Michael Friberg’s newest short, You Are Here, blends comedy and existentialism as one man grapples with the sheer scope of existence.
Film Inquiry spoke with one of ISA’s top 25 Screenwriters to watch: Zoë Hodge.
Princeton’s in the Mix skewers a mother’s obsession with her son’s performance on the SATS, taking the potential consequences to an extreme.
Family Portrait captures the underlying sense of menace seeping into the monotony of everyday life that characterized the early days of the pandemic.
About to embark on a world tour, global pop sensation Skye Riley begins experiencing increasingly terrifying and inexplicable events.
Robert Schwentke’s German film “Seneca: On the Creation of Earthquakes” is the latest movie in which John Malkovich gets to yell at people.
Rory and Cobby are unlikely partners thrown together, but when it goes awry, they team up to outrun police, backward bureaucrats, and a vengeful crime boss.
Film Inquiry spoke with writer/director Danicah Waldo!
My Sweet Land is a somber warning call that its events are not contained in one place or time, they are the story of humanity.