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Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.
A creative exploration of the legacy of Moholy-Nagy, an artist who never became a household name and yet whose life’s work is nonetheless ever-present.
On it’s 25th anniversary, Orson Welles’ oeuvre The Stranger towers over the thrillers with which it’s so often been unfairly bundled over the years.
Based on performances alone, it is a memorable coming-of-age tale, and it is a step in the right direction when it comes to destigmatizing mental illness.
Fear Street: Part Two – 1978 is a charming and at times, heartfelt horror film, but its moments of horror are often hidden from the viewer, creating a film that does not fully embrace its potential.
With its uneasy blend of action, comedy, and familial drama, Gunpowder Milkshake is ultimately an underwhelming movie.
With excellent performances, gentle direction, and an incredibly moving musical score by Alexis Grapsas and Philip Klein, Pig was a big surprise.
Fear Street Part One: 1994 is a fun, energetic slasher with enjoyable characters, an interesting overarching plot, and heartfelt relationships.
Externo is a definite recommendation for those searching for something out of the ordinary in terms of storytelling and high concept.
With No Sudden Move, Steven Soderbergh has crafted a fun and twisty neo-noir that makes the best of its ensemble cast.
When it comes to shark-themed suspense films, it’s safe to say Great White won’t be joining the greats.
Even if it had come out on time, the halfhearted critique it offers up is neither challenging nor engaging.
As the first Marvel movie to be released after Avengers: Endgame, Cate Shortland’s Black Widow stars Scarlett Johansson as Natasha Romanoff.
It’s far from perfect but Zola delivers strong performances, visual language and sound design to make something unique and alluring.
For this Queerly Ever After, we take a look at the 2012 film Morgan.